小黄片视频

Symphony Band and Chamber Ensembles

April 28

7:30 p.m.
Cartwright Auditorium

Darin Olson, conductor 
David Mitchell, Director 

The 小黄片视频 Bands are one of the university鈥檚 longest-standing programs, bringing together students, faculty, and community members through music. Founded in 1919, the program has grown from 20 musicians to more than 400, supported by two faculty directors.The 小黄片视频 Athletic Bands, consisting of the Marching Golden Flashes (MGF) and Flasher Brass Pep Band, serve as the university鈥檚 most visible musical ambassadors. These ensembles are an integral part of the 小黄片视频 experience, bringing spirit and energy to athletic events, campus gatherings, and beyond. With nearly 300 participants representing majors across the university, the ensembles blend tradition and innovation to deliver engaging performances that inspire audiences. The band program also offers four school year-long concert ensembles: the Wind Ensemble, Symphony Band, University Band, and Youth Winds. The Wind Ensemble has appeared at major state, regional, and national conventions, including the Ohio Music Education Association (1991, 1995, 1998, 2000, 2003, 2017, 2026), the College Band Directors National Association (2018), and the Music Educators National Conference (1978, now NAfME). The ensemble has also performed in distinguished venues such as the Kennedy Center for the Arts (2008) and Severance Hall (2021, 2022). Its recordings highlight works by composers such as Floyd Werle and Ron Nelson. The 小黄片视频 Youth Winds, founded in 2021, features 70 talented high school musicians representing 25 schools throughout Northeast Ohio.Students in the program benefit from collaborations with leading conductors, composers, and guest artists, including Steven Bryant, Nicole Piunno, Michael Markowski, Dennis Llinas, members of the Cleveland Orchestra, and 小黄片视频 faculty. Graduates of the band go on to serve as educators at the elementary, secondary, and collegiate levels, while others perform in professional orchestras nationwide and in premier military ensembles of the United States Armed Forces. Many enjoy successful careers outside of music, reflective of the program's mission to foster a life-long appreciation for making music.

Program

Trombone Ensemble

David Mitchell, Director

BoneWeek Fanfare 2 (2004) - Brad Edwards

In Memorium (1967) - Raymond Premru

Stars (2001) - 膾riks E拧envalds arr. Connor Dockstader

Loop Rd. Quartet

Prelude, Fugue and Variation (1862/2011) - C茅sar Franck arr. Abad/Schwimmer

  1. Prelude

Addis Ababa (Ethiopia) from Ciudades (2011) - Guillermo Lago

Alstroemeria Quartet

String Quartet No. 12 in F, Op. 96, 鈥淎merican鈥 (1893/2006) - Anton铆n Dvo艡谩k

  1. Allegro ma non troppo

Symphony Band

Darin Olson, Conductor

Alleluia! Laudamus Te (1973) - Alfred Reed

Amazing Grace (1994) - Frank Ticheli

Atomic Time (2023) - James M. David

La Fiera Asturiana (2024) - Michele Fernandez

Performers

Trombone Ensemble

David Mitchell, Director

Kristanna Bradford
Joey Bugos
Uriah Calhoun
Connor Dockstader
Wyatt Goman
Jacob Hart
Alison Joyce
Braelyn O鈥橬eil
Jaden Parker
Mat Raymond
George Rosin
Matthew Shrivastav
Carson Throckmorton
RJ Williams

Loop Rd. Quartet

Usayd Ally, soprano saxophone
Quinci Bliss, alto saxophone
Adam Thomas, tenor saxophone
Scott Sopata, baritone saxophone

Alstroemeria Quartet

James Allio, soprano saxophone
Bryce Nagel, alto saxophone
Hayden Storey, tenor saxophone
Alivia Shablesky, baritone saxophone

Symphony Band

Darin Olson, Conductor

Flute

*Avery Phillips
Molly Goodrich
Karisa Atkins
Axspen Pantaleano
Sophia Lewis 

Oboe

Vincent Swango
Scott Sopata

Clarinet

*Ashley Scaife
Kaden Wenzel
Marina Wearley
Reuben Grote
Shivali Kilonsky
Eli Mowery
Nathan Overly
Jordan Knight, Bass
Mia Rhome, Bass

Bassoon

Dylan Eshbaugh
Dylan Smith

Saxophone 

Gold Section

*Bryce Nagel, Alto
Scott Sopata, Alto
Mia Rhome, Alto
Adam Thomas, Tenor
Colton Boyd, Bari

Blue Section

*Quinci Bliss, Alto
Nick Stewart, Alto
Aiden Moore, Alto
Wyatt McGowen, Tenor

Horn

*Maddi Long
Harper Zerbian
Leah Neff

Trumpet

*Tom Malquest
Jaylynn Walker
Ryan Francis
Emma Corrigan
Alisia Haydu
Chris Johnson
Jaden Forinash

Trombone

*Connor Dockstader
Jaden Parker
RJ Williams
Braelyn O鈥橬eil
Kristanna Bradford

Euphonium

Rilend Geniec
Wyatt Goman

Tuba

*Jasper Faught
Aubrey Corrigan
Caly Martinez
Vlad Lehendzevych

Percussion

*Emmalee Ursell
Brennan Contreras
Ryan Semancik
Ben Balough
Jordan Toeppe
Damyan Kalivoshko
Leahanna Sparling 

Program Notes

Alleluia! Laudamus Te (1973) - Alfred Reed

Alleluia! Laudamus Te is a hymn of praise without words, with the band serving as a single massive choir and, at times, broken down into individual sections, each performing as a separate choir. The music is based on three main themes, the first being a massive chorale in the brass, the second a long flowing line in the horns and woodwinds, and the third a quasi-fanfare figure first heard in the trumpets and then spreading throughout the other sections of the orchestra as it is developed.

The work was commissioned by Richard S. Mountford and the Malone College Concert Band, which premiered the work, conducted by Reed, at its third annual band festival in February 1973.

- Program notes by William Johnson for the San Luis Obispo Wind Orchestra concert program, 11 December 2011

 

Amazing Grace (1994) - Frank Ticheli

I wanted my setting of Amazing Grace to reflect the powerful simplicity of the words and melody -- to be sincere, to be direct, to be honest -- and not through the use of novel harmonies and clever tricks, but by traveling traditional paths in search of truth and authenticity.

I believe that music has the power to take us to a place that words alone cannot. And so my own feelings about Amazing Grace reside in this setting itself. The harmony, texture, orchestration, and form are inseparable, intertwined so as to be perceived as a single expressive entity.

The spiritual, Amazing Grace, was written by (1725-1807), a slave ship captain who, after years of transporting slaves across the Atlantic Ocean to the New World, suddenly saw through divine grace the evilness of his acts. First published in 1835 by William Walker in The Southern Harmony, Amazing Grace has since grown to become one of the most beloved of all American spirituals.

Amazing Grace was commissioned by John Whitwell in loving memory of his father, John Harvey Whitwell. It was first performed on February 10, 1994, by the Michigan State University Wind Symphony, John Whitwell conductor.

- Program Note by the composer

 

Atomic Time (2023) - James M. David

Since 1945, the government radio station WWVB near my home in Fort Collins, Colorado, has played a vital role in the lives of Americans. Broadcasting the official U.S. time at various frequencies to countless machines, this small station has provided the rhythm to our modern technological nation for generations. The source of the station鈥檚 impeccable timing accuracy is the nearby NIST-F1 atomic clock located in Boulder.

My composition Atomic Time depicts this remarkable 鈥渃lock radio鈥 as an exploration of how pitch and rhythm are interrelated and a function of how the human ear perceives time. Using a simple cipher to convert 鈥淲WVB鈥 to musical notes, a short motif was created and manipulated into many different permutations. A constant pulsation is maintained at 21,600 vibrations per hour -- the same rate as a mechanical watch. Polyrhythms, tempo modulations, and swirling counterpoint build from a single steady beat to a frenetic and breathless dance with strong jazz and Afro-Latin references, finally slowing to a stop as the watch winds down. My goal is to provide listeners with an ever-building groove that, like WWVB, will connect people from coast to coast to the nation鈥檚 beating heart in the Rocky Mountains.

This work was commissioned by the Fossil Ridge High School Wind Symphony, Aaron Herman, director of bands.

- Program Note by composer

 

La Fiera Asturiana (2024) - Michele Fernandez

Written in honor of the composer鈥檚 grandmother, a flamenco dancer from Asturias, Spain, who died of cancer at age 34, La Fiera Asturiana is a passionate march in triple meter infused with the spirit of her heritage. The opening evokes a vibrant street festival, with flamenco dancers brought to life through sultry woodwind and trumpet melodies over characteristic Spanish percussion. As the intensity subsides and the tonality shifts, the music becomes more intimate, reflecting her father鈥檚 memory of watching his mother dance with joy. This dream is suddenly broken by the anguish of illness, as the music darkens and slows dramatically. A dialogue follows 鈥 the low brass voicing a father鈥檚 call to persevere, answered by the high winds representing his children. The work closes with a triumphant return of the march theme, a tribute to resilience and to the enduring spirit of the grandmother who inspired it.

- Program Note by Tyler Holstrom for Northshore Concert Band program, 19 December 2025

School of Music Faculty

Brass 

Amanda Bekeny, trumpet 
Ken Heinlein, tuba 
Benjamin Hottensmith, horn 
David Mitchell, trombone, euphonium

Percussion 

Matthew Holm 
Matthew Larson 
Nicholas Petrella

Piano 

Donna Lee 
Anna Grudskaya

Strings 

Amy Glick, violin 
Hannah Moses, cello 
James Rhodes, viola 
Bryan Thomas, double bass 

Voice 

Marla Berg 
Tim Culver 
Hannah Jencius 
Sandra Ross 
Lara Troyer 
Jay White

Ensembles 

Samir Al-Hadid, Nova Jazz 
Shawna Hinkle, Cantique 
Matthew Holm, Percussion Ensemble 
Rodney Hubbard, Gospel Choir 
Benjamin Lorenzo, Bands 
Priwan Nanongkham, Thai Ensemble 
Darin Olson, Bands 
Matthew Swope, Choirs 
Isaac Terceros, Orchestra 
Bobby Selvaggio, Jazz Ensembles 
Janine Tiffe, African Ensemble & Steel Band 

Woodwinds 

Mark DeMio, bassoon 
Suyeon Ko, flute 
Perry Roth, saxophone 
Danna Sundet, oboe 
Amitai Vardi, clarinet 

Administration and Staff 

Tony Hardin, Director of the School of Music
Sarah Labovitz, Special Assistant to the Director 
Samuel Robert, Recording Technician 
Emilee Sanor, Administrative Secretary 
Blaine Vesely, Piano Technician